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Pitchfork Reviews "Broke With Expensive Taste"




[Spoiler (click to open)]


  • Three songs in, it’s clear why Interscope didn’t know what to do with the thing. Opener "Idle Delilah" bursts in effortlessly crossing elements of house, dubstep, and Caribbean music. It’s followed by "Gimme a Chance", a bass-heavy post-disco romp that takes a hairpin turn into smooth merengue halfway through, as Banks flits from rapping and singing in English to perfect unaffected Spanish.


  • Coupled with her bullish rhyme skills, Azealia’s chops as a house vocalist make for a true rapper-singer double threat. She’s an angel on the choruses, but for the verses in between, she’s a formidable spitter whose flash and flow are unmistakably Harlem.


  • It’s a quick subway jaunt away from the landmark clubs where ball culture persists, as well as perennial dance parties at Webster Hall and the glut of eclectic Lower Manhattan concert venues. Broke With Expensive Taste glides through all of these, just like the faithful 1 train sampled on "Desperado". Both album and the artist revel in the freedom of a New York City where divisions between these sounds and scenes have ever so slowly ceased to exist.


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Tags: azealia banks, black celebrities, music / musician, music / musician (alternative and indie), music / musician (electronic), music / musician (metal), music / musician (rap and hip-hop)
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