crazy slut with a dead husband (abortions) wrote in ohnotheydidnt,
crazy slut with a dead husband
abortions
ohnotheydidnt

Trace Taylor Swift's Country to Pop Transformation in 5 Songs

From "Tim McGraw" to "Shake It Off": How she slowly crossed over from country phenom to pop superstar



When Taylor Swift announced her "very first documented, official pop album," more than a few country traditionalists rolled their eyes. "Swift has always been pop," they said – and they weren't completely wrong. It's undeniable that the superstar's musical output has always contained a rather strong pop influence (to be fair, so has almost all mainstream country music over the past decade); and in her eight years in the spotlight, she's never tried to imitate the robust twang of, say, Waylon or Reba.

"Shake It Off" may be her poppiest single yet, but our new cover star Taylor Swift seemed to have her sights set beyond Nashville's borders from the very start. Already country's biggest crossover star, Swift is now poised to become one of biggest stars in pop. Here, in five songs, is how it happened.

"Tim McGraw" (2006)

A girl can make a solid career for herself in Nashville by writing songs about parking in a Chevy truck on a back country road with some good ol' hunk. But from the start, Swift's easy mastery of such contemporary country tropes suggested she'd quickly feel limited by the genre. Soon the slight twang in her voice and that subtle pedal steel would be as distant a memory as the high school boyfriend she sings about in her first single.

"You Belong With Me" (2008)

"Love Story," Swift's first pop smash, lived a double life: The original version targeted a country audience with acoustic instrumentation, while the mix for mainstream pop listeners accentuated electric guitars. "You Belong With Me" was an even bigger hit, and the guitars on its pop version were suitably gargantuan as well. A sly balancing act, but you had to wonder how long Swift could switch-hit like this without choosing a team.

"Back to December" (2010)

There's more than one way to go pop. Ask Leann Rimes or Trisha Yearwood: A female country star who wants to cross over without alienating her older fans has no better friend than the big, weepy ballad. "Back to December" suggested that Taylor could have a successful future full of swooping adult contemporary string sections if that's what she wanted.

"We Are Never Ever Getting Back Together" (2012)

Swift didn't just want to cross over — she wanted to dominate. So she teamed with Swedish megapop kingpin Max Martin (Britney Spears, Katy Perry, Avril Lavigne) and his frequent accomplice Shellback to loop a clipped acoustic guitar strum behind an army of sassy taunts. Her first Number One hit was almost like a breakup song to country music — though, of course, they can still be friends.

"Shake It Off" (2014)

Dancing with cannily inept defiance in the face of her critics, Swift (again with Martin and Shellback) distills decades of cheerleader pop and marching band rock into a goofball jam that makes "We Are Never Ever Getting Back Together" sound as old-timey and down-home as Bill Monroe. Rocketing to Number One, it might just earn her the pop crown she's been eyeing for so long.


src

what's your favorite tswizzle song? enchanted trumps all!
Tags: music / musician (country), music / musician (pop), taylor swift
Subscribe
  • Post a new comment

    Error

    Comments allowed for members only

    Anonymous comments are disabled in this journal

    default userpic

    Your reply will be screened

    Your IP address will be recorded 

  • 261 comments