10 Films Everyone Should See Before They Die

Film is an incredibly vast medium, full of amazing feats of human ingenuity and some not so amazing, that has infiltrated pop culture like no other artform in the 21st century. Going to the movies is so commonplace and the world is open to so many new ways to watch film that have never been possible until now. If you haven’t seen a specific movie then you have a myriad of opportunities available to you to correct this.

This brings me to my main topic. There are some movies that film buffs and cinephiles consider some of the greatest art ever made but barely anyone who is a casual movie goer can’t claim to have seen. For the sake of convenience I have made this list to showcase 10 films that I think everyone should see at some point in their lifetime just to be a more well rounded pop culture consumer.


6. Psycho

While Psycho is more of a thriller than a horror movie it is able to walk the line between the two so well that it’s hard to argue against it being Alfred Hitchcock’s best film. The man made an entire career out of developing and improving the thriller and suspense genres with Psycho being his crowning achievement. It represents everything that makes Hitchcock so amazing and packs it all into a tense and unforgettable 109 minutes.

The film changed the rules for good by killing off it’s leading lady in the first act of the film and deceiving the audience about who the real villain actually is. The greatest contribution Psycho has made to the world of film will always be the way it revolutionized the typical villain in movies by taking the idea that a monster has to be in-human and making the monster in Psycho seem nice and charming. Many movies have tried to replicate Psycho but all have failed.

5. The Godfather

Before The Godfather the gangster sub-genre was seen as trash and demoralizing but everything changed when Francis Ford Coppola made his seminal movie. Never again were gangster movies seen as lower forms of film. They were now highly revered Oscar winners. The greatest thing The Godfather did was it took every cliche’ surrounding crime films and changed it into something real and captivating.

The narrative structure is more akin to the patron/client system in the ancient Roman culture to Scarface or Public Enemies which adds a layer of humanity to the characters that very few movies can replicate. The relationships of each family member to one another give the movie a sense of familiarity but there is always the looming threat of violence that keeps you enthralled every minute throughout the running time.

4. 8 1/2

The way that Federico Fellini uses dream sequences in 8 1/2 is some of the purest cinema anyone can ever witness. The film tells a relatively simple story of a filmmaker facing complications in making an large scale production that he has undertaken but it walks the line between reality and fantasy in such a way that you never know what is going to happen next. There is no other film that better represents the exploration of creativity the way that 8 1/2 does.

The narrative is basically an autobiography for Fellini himself but he tells his story in such a chaotic manner, with flashbacks turning into dream sequences and the present basically becoming secondary, that the term “Felliniesque” is most easily viewed here than in any of his previous films.

3. Citizen Kane

“The greatest film ever made” as many critics and filmmakers alike have said. Watching Citizen Kane for the first time almost felt like a cultural obligation but it’s impossible not to get caught up in the genius of Orson Welles that it doesn’t matter if Citizen Kane is the best movie ever made or not. The character of Kane is difficult to love but there is some odd, charm that he exudes that makes him an extremely powerful screen presence and a brilliant showcase for the acting talents of Welles.

There is film before and after the arrival of Citizen Kane. You can see its influence in every movie that followed it and by watching what came before it you can see just how revolutionary it was. Welles was never a better director than he is here because he had youthful ignorance and full studio backing. I didn’t want to agree with the popular consensus here but after writing this entry I think I have to.

2. 2001: A Space Odyssey

Science-fiction is an incredibly expansive genre and Stanley Kubrick uses it to tell the grandest story ever committed to film with his sublime masterpiece 2001: A Space Odyssey. The way he is able to bring together so many different elements of cinema to tell his story of human progress is a feat in itself. Kubrick uses every element available to him and with such aplomb that it’s hard to believe he was able to bring everything together and even harder to believe that he succeeded.

He uses light, sound, dialogue, symbolism and actions to create a very surreal and disorienting experience for the viewer that is still the most realistic depiction of space in film history.

1. Taxi Driver

Martin Scorsese and Robert De Niro have made many brilliant films together over their incredible and influential careers but Taxi Driver just may be their best. The way that De Niro is able to bring Travis Bickle to life is one of the greatest acting displays of all time but not enough attention is ever given to Michael Chapman’s cinematography. He lights the scenes with a dark touch that gives Scorsese a very open world to direct.

The direction of Taxi Driver is perfect from start to finish but the greatest achievement is the way that the character study of Travis is presented. You really feel like you know the character since De Niro presents him in a morally grey area instead of making him an outright villain or hero.

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