Tilda Swinton has always exuded an otherworldly aura. Maybe it's the pale, almost translucent skin that highlights her steely blue eyes. She speaks with such rabid intelligence that even a casual conversation sounds like it was scripted by Dorothy Parker. She seems impossibly tall, a willowy figure whose striking, androgynous looks have been tilted toward a wide range of menacing characters.
In Wes Anderson's latest fairy tale, "The Grand Budapest Hotel," the 53-year-old Scottish actress is virtually unrecognizable under droopy skin and wrinkles as octogenarian Madame D. In the just-released drama "Only Lovers Left Alive," directed by Jim Jarmusch, she portrays Eve, a chic-looking (if 3,000-year-old) vampire. And in June, she'll be seen Stateside in Bong Joon-ho's futuristic "Snowpiercer" as a terrifying political leader whose inspiration draws from equal parts Kim Jong-un and Marilyn Manson.
Her versatility as an artist makes her impossible to classify.
Along with a prolific screen career highlighted by an Oscar win in 2008 for her portrayal of an unraveling lawyer in "Michael Clayton," Swinton also performs spoken-word pieces, has founded a film festival (Scotland's Ballerina Ballroom Cinema of Dreams in 2008), and inspired a collection from Chanel.
Her best-known work might be "The Maybe," a live performance-art piece in which she sleeps inside a glass box wearing nondescript clothes and muddy sneakers, which she has been staging for 19 years in galleries and art museums around the globe, including MoMa in New York.
"Tilda is an artist, an activist, a film historian, an instigator and a writer," says Jarmusch, who has collaborated with the actress on three movies. "What isn't she? There is nothing she can't do, nothing she can't play."( Collapse )source