4:36 pm - 01/18/2013
Meet the emancipated Leonardo DiCaprio, a single-name superstar who's broken free of the shackles that constrain other A-listers: Don't accept a supporting role? (Too late.) Never mess with a beloved classic? (Whoops.) Under no circumstances play a bad guy? (Does a virulently racist slave owner count?)
"I apologize if my voice is out—I've been screaming all day," Leonardo DiCaprio says from the Long Island set of Martin Scorsese's The Wolf of Wall Street. Taking a respite in his production office, he sounds sleepy, scratchy, and, quite frankly on this late-October afternoon, a little spent.
Gone are the days of the biennial, or at best annual, Leo movie. After assiduously turning selectivity into an art form, long exercising the power of saying no, he is tasting the freewheeling joy—and pain—of saying yes: DiCaprio has three big films hitting theaters within the next year, and he's producing three to boot. He's coming off a year straight of wrangling, meetings, and a whole lot of acting. "This has been an exceptional situation," DiCaprio says. "Filming three movies back to back to back, I don't think I've ever done that."
Curiously, he gravitated toward a timely theme in all of them. "In a weird way," he says, "I realize these movies are about three different periods in American history, but all have a central character trying to hold on to the privileged life they've been given, by any means necessary." He says this either unaware or unconcerned that it could apply to a 38-year-old movie star who is taking risks like never before.
For the first time since appearing in Woody Allen's Celebrity in 1998, he's playing a supporting role—a villain, no less—in Quentin Tarantino's Spaghetti Western–cum–revisionist slave narrative Django Unchained; he's reinterpreting the most iconic character in modern American literature in Baz Luhrmann's high-octane 3-D adaptation of The Great Gatsby; and then he's reportedly going the full monty in a group-sex scene in The Wolf of Wall Street, the no-holds-barred look at the finance world he'd been trying to get made as a producer for years. With so much conduct unbecoming a leading man, it's a wonder Damon, Cruise, et al., haven't staged an intervention. You can almost hear them: "Leo, baby, why don't you find yourself a nice action franchise and settle down?"
That's the thing about the Tao of Leo: He's managed to cast a long shadow over Hollywood for two full decades without ever bowing to convention—no big-budget franchises, no rom-coms, not even a true action movie. "I don't know why I choose certain films," he says. "I just gravitate toward them and I don't question that."
Perhaps the boldest move in DiCaprio's 20-year career is playing antebellum plantation owner Calvin Candie in Django Unchained. DiCaprio was drawn to him from the moment he read Tarantino's script. He calls Calvin "one of, if not the most, despicable, indulgent, radical characters I've ever read in my life." Naturally, DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery. From there, DiCaprio and Tarantino made some striking modifications. "Writer-directors tend to be very precious about their material and their words," he says, "but Quentin's whole process is getting input from the actors and adding levels to their characters." Perhaps no character evolved as much as Calvin, the master of Candyland plantation. "A lot of the talks we had specifically about phrenology really took him to a completely different level."
Adding philosophical underpinnings to Calvin's racism helped unlock the character, informing his affection for his surrogate father, a house slave played by Samuel L. Jackson, and his leering need to possess—as chattel—Django's wife, played by Kerry Washington. Tarantino drew on phrenology to fashion an epic, incendiary monologue on racial superiority. The moment DiCaprio finished delivering the speech, the entire cast gave him a spontaneous standing ovation. (Bless their taste)
"He creates shades and layers and probes and just goes deeper than anybody else ever desires to," says Stacey Sher, one of the film's producers. "The last day, when everyone was saying goodbye to him, Leo was like, 'Yeah, I'm sure happy not to be that guy anymore—it feels good.' You knew he just felt lighter."
Yet for the newly liberated Leonardo DiCaprio, there was never any hesitation about letting it all hang out—in Django, in what he calls Scorsese's "really wild, nuts movie," and in a musically charged makeover of F. Scott Fitzgerald's "sacred" American novel.
"Of course it's all risky," he says, as a production assistant calls into the office to tell him he's needed for the next scene. "I mean, that's the excitement of doing it, you know?"
Leonardo Dicaprio, 38
Credit check: Actor, Django Unchained, The Great Gatsby; actor-producer, The Wolf of Wall Street
Catch Him If You Can: "My whole thing has been to develop material outside the studio system for myself, and this expanded to funding material I won't necessarily star in. I don't need to wear the producer hat while making movies, but I love to have that collaboration."
The 38-year-old actor has never been married, but has dated some of the world's most beautiful women including the supermodels Gisele Bündchen, Bar Refaeli and Erin Heatherton. He has recently been romantically linked to his latest co-star Margot Robbie, and Leonardo claims his celebrity status can make it tough to nurture a healthy relationship.
"To be honest: it used to be a lot easier when I wasn't famous. Now I can't just go into a bar and meet a woman who's really interested in me," he explained to the German edition of OK! magazine. "It has gotten much more complicated."
Leonardo has seen his career continue to soar and his latest role is a cruel plantation owner in Quentin Tarantino's Django Unchained. Despite being one of the biggest stars in Hollywood, Leonardo has realised that loved ones mean more to him than work.
"That's a tough question," he replied when asked if he is happy. "What I realise more and more is that I spend so much time of life on movie sets whereas family is the most important thing in life. This thought struck me the first time when my grandma [Helene] died in 2008."
Leonardo has been acting since he was a child. This has helped him to positively channel his spirited personality.
Talk about your star sightings!
The Staples Center in Los Angeles on Thursday night was packed with celebs watching the Lakers take on the Miami Heat.
Not only was Leonardo DiCaprio spotted hanging out with fellow acting pals Tobey Maguire and Lukas Haas, but Hilary Duff could also be seen cozying up to hubby Mike Comrie. Drew Barrymore and Will Kopelman's courtside kiss
But wait, there's more!
Mark Wahlberg was on hand with his family to take in all the action while director Penny Marshall cheered on the boys in purple and gold as well. And last, but certainly not least, the Lakers' most famous fan—Jack Nicholson.
Unfortunately, all that star power didn't quite pay off for the home team, which wound up losing 99-90.
Leonardo DiCaprio megapost!
The Leading Man
Meet the emancipated Leonardo DiCaprio, a single-name superstar who's broken free of the shackles that constrain other A-listers: Don't accept a supporting role? (Too late.) Never mess with a beloved classic? (Whoops.) Under no circumstances play a bad guy? (Does a virulently racist slave owner count?)
"I apologize if my voice is out—I've been screaming all day," Leonardo DiCaprio says from the Long Island set of Martin Scorsese's The Wolf of Wall Street. Taking a respite in his production office, he sounds sleepy, scratchy, and, quite frankly on this late-October afternoon, a little spent.
Gone are the days of the biennial, or at best annual, Leo movie. After assiduously turning selectivity into an art form, long exercising the power of saying no, he is tasting the freewheeling joy—and pain—of saying yes: DiCaprio has three big films hitting theaters within the next year, and he's producing three to boot. He's coming off a year straight of wrangling, meetings, and a whole lot of acting. "This has been an exceptional situation," DiCaprio says. "Filming three movies back to back to back, I don't think I've ever done that."
Curiously, he gravitated toward a timely theme in all of them. "In a weird way," he says, "I realize these movies are about three different periods in American history, but all have a central character trying to hold on to the privileged life they've been given, by any means necessary." He says this either unaware or unconcerned that it could apply to a 38-year-old movie star who is taking risks like never before.
For the first time since appearing in Woody Allen's Celebrity in 1998, he's playing a supporting role—a villain, no less—in Quentin Tarantino's Spaghetti Western–cum–revisionist slave narrative Django Unchained; he's reinterpreting the most iconic character in modern American literature in Baz Luhrmann's high-octane 3-D adaptation of The Great Gatsby; and then he's reportedly going the full monty in a group-sex scene in The Wolf of Wall Street, the no-holds-barred look at the finance world he'd been trying to get made as a producer for years. With so much conduct unbecoming a leading man, it's a wonder Damon, Cruise, et al., haven't staged an intervention. You can almost hear them: "Leo, baby, why don't you find yourself a nice action franchise and settle down?"
That's the thing about the Tao of Leo: He's managed to cast a long shadow over Hollywood for two full decades without ever bowing to convention—no big-budget franchises, no rom-coms, not even a true action movie. "I don't know why I choose certain films," he says. "I just gravitate toward them and I don't question that."
Perhaps the boldest move in DiCaprio's 20-year career is playing antebellum plantation owner Calvin Candie in Django Unchained. DiCaprio was drawn to him from the moment he read Tarantino's script. He calls Calvin "one of, if not the most, despicable, indulgent, radical characters I've ever read in my life." Naturally, DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery. From there, DiCaprio and Tarantino made some striking modifications. "Writer-directors tend to be very precious about their material and their words," he says, "but Quentin's whole process is getting input from the actors and adding levels to their characters." Perhaps no character evolved as much as Calvin, the master of Candyland plantation. "A lot of the talks we had specifically about phrenology really took him to a completely different level."
Adding philosophical underpinnings to Calvin's racism helped unlock the character, informing his affection for his surrogate father, a house slave played by Samuel L. Jackson, and his leering need to possess—as chattel—Django's wife, played by Kerry Washington. Tarantino drew on phrenology to fashion an epic, incendiary monologue on racial superiority. The moment DiCaprio finished delivering the speech, the entire cast gave him a spontaneous standing ovation. (Bless their taste)
"He creates shades and layers and probes and just goes deeper than anybody else ever desires to," says Stacey Sher, one of the film's producers. "The last day, when everyone was saying goodbye to him, Leo was like, 'Yeah, I'm sure happy not to be that guy anymore—it feels good.' You knew he just felt lighter."
Yet for the newly liberated Leonardo DiCaprio, there was never any hesitation about letting it all hang out—in Django, in what he calls Scorsese's "really wild, nuts movie," and in a musically charged makeover of F. Scott Fitzgerald's "sacred" American novel.
"Of course it's all risky," he says, as a production assistant calls into the office to tell him he's needed for the next scene. "I mean, that's the excitement of doing it, you know?"
Leonardo Dicaprio, 38
Credit check: Actor, Django Unchained, The Great Gatsby; actor-producer, The Wolf of Wall Street
Catch Him If You Can: "My whole thing has been to develop material outside the studio system for myself, and this expanded to funding material I won't necessarily star in. I don't need to wear the producer hat while making movies, but I love to have that collaboration."
Leonardo DiCaprio admits his love life is more "complicated" because he is famous.
The 38-year-old actor has never been married, but has dated some of the world's most beautiful women including the supermodels Gisele Bündchen, Bar Refaeli and Erin Heatherton. He has recently been romantically linked to his latest co-star Margot Robbie, and Leonardo claims his celebrity status can make it tough to nurture a healthy relationship.
"To be honest: it used to be a lot easier when I wasn't famous. Now I can't just go into a bar and meet a woman who's really interested in me," he explained to the German edition of OK! magazine. "It has gotten much more complicated."
Leonardo has seen his career continue to soar and his latest role is a cruel plantation owner in Quentin Tarantino's Django Unchained. Despite being one of the biggest stars in Hollywood, Leonardo has realised that loved ones mean more to him than work.
"That's a tough question," he replied when asked if he is happy. "What I realise more and more is that I spend so much time of life on movie sets whereas family is the most important thing in life. This thought struck me the first time when my grandma [Helene] died in 2008."
Leonardo has been acting since he was a child. This has helped him to positively channel his spirited personality.
"I am a lot calmer. As a teenager I was full of energy and acting was the first thing I found to put that energy into," he added. "I was insanely demanding, never would shut up or sit still. And my head was full of bad ideas - my mom could tell a lot of stories."
Actor LEONARDO DiCAPRIO is set to be honoured for his contribution to cinema at the upcoming Santa Barbara International Film Festival in California.
The Titanic star will attend a special ceremony on 1 February (13) to receive the coveted American Riviera Award, which recognises influential artists in Hollywood.
A statement from the event's Executive Director Roger Durling reads, "We are thrilled to be honoring Leonardo DiCaprio with the American Riviera Award, in a year where he has shown us another layer of his immeasurable talent. His performance in Django Unchained reaffirms that he is the most relevant actor of this generation."
DiCaprio follows in the footsteps of previous recipients including Sandra Bullock, Annette Bening, Tommy Lee Jones, Forest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Mickey Rourke.
The festival runs from 24 January (13) to 3 February (13).
Talk about your star sightings!
The Staples Center in Los Angeles on Thursday night was packed with celebs watching the Lakers take on the Miami Heat.
Not only was Leonardo DiCaprio spotted hanging out with fellow acting pals Tobey Maguire and Lukas Haas, but Hilary Duff could also be seen cozying up to hubby Mike Comrie. Drew Barrymore and Will Kopelman's courtside kiss
But wait, there's more!
Mark Wahlberg was on hand with his family to take in all the action while director Penny Marshall cheered on the boys in purple and gold as well. And last, but certainly not least, the Lakers' most famous fan—Jack Nicholson.
Unfortunately, all that star power didn't quite pay off for the home team, which wound up losing 99-90.
How does he even remember that? He has been famous since the mid 90s.
omg the pics of him at the laker game, it always makes me smile since we don't get many leo pap pics, WTF IS THAT HAT LEO.
my body is ready for the year of leo once again!
And marries a black girl like myself.
hello , OP <3
I think his whole 'work outside the studio system' might be why he gets snubbed + whatever he got up to in the 90s.
That being said, he certainly does pander to the awards people at times, lbr.
I like his chubby little face, I do, I guess I tease him because his onscreen performances are so great but irl he's so lame and dorky and too in love with jorts.
This is weird tho: DiCaprio signed on right away, and he promptly presented Tarantino with a gift: an antiquarian book on phrenology, the racist pseudo-science used to rationalize slavery
I can't wait for some young upstart to win the Oscar for playing him in the biopic while Leo watches from his old folks home (still wearing a backwards cap) pissed as fuck.
Granted, Australia was a flop when compared to Moulin Rouge! and that's maybe why MR! did better at award season, but idk I think he benefits from the lack of award bait competition in the summer