ONTD

2:47 pm - 01/15/2013

Brit, bey, Justin, Etc. - Don't Expect Too Much EDM

Feel like JT's new single wasn't worth the six year wait? Then you may be in for a rude awakening when it comes to major releases this year. While there's no doubt we'll get a handful of dance singles here and there, it looks like some of pop's biggest names are looking to release more R&B inspired jams or urban club hits.



We've already gotten a taste of this treatment as Rihanna has shockingly shunned the obvious single choice of the David Guetta penned "Right Now" for the less explosive "Pour It Up" and "Stay". Destiny's Child fans were also a little caught off guard by how "Nuclear," (which Michelle Williams confirmed to be a new track on Twitter rather than a recycled b-side,) was more of an easy-listening track than the expected hard-hitting club anthem.

We also know that our Beyawnce has chosen to fill her album with retro inspired beats that will be reflective of Prince and other rock and soul artists. She has worked hard with Timberlake, Pharrell and The-Dream on this album and spoke with GQ about how they all had ideas about bringing back the 90s sound. Pharrell has since spoke out about Miley Cyrus having the same musical ideas as Timberlake

Following this news, I've recently had confirmation from a writer (who has chosen to remain anonymous until his own music is released) that his dance song pitches were turned down with her team stating, "We're staying away from dance this time." Now take that with a grain of salt, because the original Blackout album is considered more urban club music than dance.

Looks like music is once again making a major shift for the better as artists are focusing more on quality rather than hit potential.



Source.
Let's discuss the only relevant artist here: Britney Spears. I am getting more excited about album 8 :3
backincharge 15th-Jan-2013 09:22 pm (UTC)
Right, but POPSTARS (what this article in particular is referring to) were not when dance music took over. Everyone was releasing eurodance trash and that was the trend and everyone was following it until Adele did well without all of that and won all of these awards, accolades and respect for what she was doing.

Suddenly dance music wasn't as popular anymore and people are now releasing what others coin as "real music". And Adele's success definitely played a part in that.

It's not that hard to understand.
albeit_ 15th-Jan-2013 09:33 pm (UTC)
i can see that you love adele and want her to be responsible for the ebb and flow of pop music that has been true for decades, but this is gibberish. the article refers to beyonce and rihanna, who both released albums r&b influenced albums at the same time as adele. adele got accolades for it because she's a charming white lady and billions of octogenarians wanted to buy whatever she was selling.
backincharge 15th-Jan-2013 09:46 pm (UTC)
I love Adele yes, but that has nothing to do with it at all. I'm also a bitter ass Leona Lewis fan who's pissed at her for stealing her British diva spot. lmao What I said was the absolute truth and I'll explain it again.

Adele didn't get shit because she's white. She released 21 at the time when dance music and flashy gimmicks took over the industry and people were getting tired of it. She took soul and blues music and attached catchy hooks and pop melodies with a raw feeling and the public responded to it. Beyonce's album didn't do that and look no further than the songs she released as singles to sell the album, Run The World and BTINH. As much as I also love Beyonce, I admit that they're are not as appealing as RITD, SFTTR, and Someone Like You are. Adele's music appealed to wider audience than just the teens and young adults that dance music appealed to.

I mean hell, most people thought Adele was black when they first heard the new stuff. lol

People saw her crossover appeal, they saw the respect she got from her peers for doing her own thing, and they saw the awards she won for WRITING HER OWN SONGS, and using actual instruments to make her music. Plus she took something that should have flopped on radio and created a phenomenon out of it.

People also saw the hate that dance music was getting. It wasn't considered "real music" and it was known for being something people did for a cheap hit. Then they saw what Adele did, and like anything successful, they want to copy that and do what she did.

And to say that only old people bought Adele's album is ridiculous. Everyone form every age group bought that album and/or listened to it.
albeit_ 15th-Jan-2013 10:06 pm (UTC)
sweetie adele's album came out in the midst of a resurgence of r&b in pop music that was already happening. and in 2011 it was no longer heard of for major pop stars not to receive writing credits on their albums, even trashy eurodance ppl like katy perry. i am glad you prefer adele but i doubt katy is thinking, "omg, people really hate dance music, no wonder teenage dream flopped!!"

adele is not even an r&b musician, and the r&b resurgence has nothing to do with her sound. sadly 4 u and also for aged dmb fans, these songs are still made with computers.
backincharge 15th-Jan-2013 10:25 pm (UTC)
The original comment had nothing to do with R&B or R&B sound, it was about artists who wanted to produce quality material and not go for an easy hit that wasn't viewed to be a good song. And if you think Adele's massive success from 21 had nothing to do with that then I'm sorry you feel that way you do but you're wrong. Adele was the one to shift top 40 radio from playing nothing but dance music, to beginning to start to play other genre's of music as well. If you want to be delusional and deny that, then fine, but that doesn't dispute that facts.

And tell me who sold better, got more admiration and notoriety , and respect etc than Adele did during that so called "resurgence of r&b in pop music" because last time I checked, the biggest hits at that time were all generic dance songs. Before 21 came out and really started doing well, there was nothing making the kind of impact that Katy, Gaga, and Rihanna were making on mainstream radio.
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