ONTD

12:47 pm - 12/07/2012

New York Times' 10 Best Books of 2012







FICTION

BRING UP THE BODIES

By Hilary Mantel.
A John Macrae Book/ Henry Holt & Company, $28.

Taking up where her previous novel, “Wolf Hall,” left off, Mantel makes the seemingly worn-out story of Henry VIII and Anne Boleyn newly fascinating and suspenseful. Seen from the perspective of Henry’s chief minister, Thomas Cromwell, the ruthless maneuverings of the court move swiftly to the inevitable executions. Both this novel and its predecessor were awarded the Man Booker Prize. Might the trilogy’s forthcoming conclusion, in which Cromwell will meet his demise, score Mantel a hat trick?

BUILDING STORIES
By Chris Ware.
Pantheon Books, $50.

Ware’s innovative graphic novel deepens and enriches the form by breaking it apart. Packaged in a large box like a board game, the project contains 14 “easily misplaced elements” — pamphlets, books, foldout pages — that together follow the residents of a Chicago triplex (and one anthropomorphized bee) through their ordinary lives. In doing so, it tackles universal themes including art, sex, family and existential loneliness in a way that’s simultaneously playful and profound.

A HOLOGRAM FOR THE KING
By Dave Eggers.
McSweeney’s Books, $25.

In an empty city in Saudi Arabia, a ­middle-aged American businessman waits day after day to close the deal he hopes will redeem his forlorn life. Eggers, continuing the worldly outlook that informed his recent books “Zeitoun” and “What Is the What,” spins this spare story — a globalized “Death of a Salesman” — into a tightly controlled parable of America’s international standing and a riff on middle-class decline that approaches Beckett in its absurdist despair.

NW
By Zadie Smith.
The Penguin Press, $26.95.

Smith’s piercing new novel, her first in seven years, traces the friendship of two women who grew up in a housing project in northwest London, their lives disrupted by fateful choices and the brutal efficiency of chance. The narrative edges forward in fragments, uncovering truths about identity and money and sex with incandescent language that, for all of its formal experimentation, is intimate and searingly direct.

THE YELLOW BIRDS
By Kevin Powers.
Little, Brown & Company, $24.99.

A veteran of the Iraq war, Powers places that conflict at the center of his impressionistic first novel, about the connected but diverging fates of two young soldiers and the trouble one of them has readjusting to life at home. Reflecting the chaos of war, the fractured narrative jumps around in time and location, but Powers anchors it with crystalline prose and a driving mystery: How did the narrator’s friend die?

NONFICTION

BEHIND THE BEAUTIFUL FOREVERS

Life, Death, and Hope in a Mumbai Undercity.
By Katherine Boo.
Random House, $27.

This National Book Award-winning study of life in Annawadi, a Mumbai slum, is marked by reporting so rigorous it recalls the muckrakers, and characters so rich they evoke Dickens. The slum dwellers have a skillful and empathetic chronicler in Boo, who depicts them in all their humanity and ruthless, resourceful glory.

FAR FROM THE TREE
Parents, Children, and the Search for Identity.
By Andrew Solomon.
Scribner, $37.50.

For more than a decade, Solomon studied the challenges, risks and rewards of raising children with “horizontal identities,” traits that they don’t share with their parents. As he investigates how families have grown stronger or fallen apart while raising prodigies, dwarfs, schizophrenics, transgendered children or those conceived in rape, he complicates everything we thought we knew about love, sacrifice and success.

THE PASSAGE OF POWER
The Years of Lyndon Johnson.
By Robert A. Caro.
Alfred A. Knopf, $35.

The fourth volume of Caro’s prodigious masterwork, which now exceeds 3,000 pages, explores, with the author’s signature combination of sweeping drama, psychological insight and painstaking research, Johnson’s humiliating years as vice president, when he was excluded from the inner circle of the Kennedy White House and stripped of power. We know what Johnson does not, that this purgatory is prelude to the event of a single horrific day, when an assassin’s bullet placed Johnson, and the nation he now had to lead, on a new course.

THE PATRIARCH
The Remarkable Life and Turbulent Times of Joseph P. Kennedy.
By David Nasaw.
The Penguin Press, $40.

Nasaw took six years to complete this sprawling, arresting account of a banker-cum-speculator-cum-moviemaker-cum-ambassador-cum-dynastic founder. Joe Kennedy was involved in virtually all the history of his time, and his biographer persuasively makes the case that he was the most fascinating member of his large, famous and very formidable family.

WHY DOES THE WORLD EXIST?
An Existential Detective Story.
By Jim Holt.
Liveright Publishing/W. W. Norton & Company, $27.95.

For several centuries now, thinkers have wondered, “Why is there something rather than nothing?” In search of an answer, Holt takes the reader on a witty and erudite journey from London to Paris to Austin, Tex., as he listens to a varied cast of philosophers, scientists and even novelists offer solutions that are sometimes closely reasoned, sometimes almost mystical, often very strange, always entertaining and thought-provoking.

SOURCE
What are your reading? What is your favorite books of 2012?
sunktheglow 7th-Dec-2012 07:33 pm (UTC)
I like a lack of romance in YA novels, too, because it seems like the only tropes that are followed are crazy, rapey, or murderous dudes and the girls that are obsessed with them. In the first book, the romance was kind of like that - Akiva was trying to kill Karou and then they instantly loved each other, like you said - but the difference was that the whole Madrigal backstory at least made it tolerable. Still, I was looking forward to reading the otherworldly stuff in this book because Laini showed spectacular world-building in Smoke and Bone. This was just really complex and confusing, in my opinion. But the lack of romance is fine by me.

I'm sure the tone of the third book will be the happy ending you always see in YA. I just hope the third book is better than this one has been.
splendidlure 7th-Dec-2012 07:43 pm (UTC)
Laini Taylor's world building is amazing. I can actually imagine the whole world of Eretz in my mind as she describes it. Rather than romance, I'm interested in the intrigue of the books. In Daughter of Smoke and Bone, I was most interested in the business of teeth. My favorite sub story was the one about Izil & his thirst for knowledge resulted in razgut clinging to his back and how he was driven to madness. In Days of Blood and Starlight, I am interested in the war intrigue. It is realistic on how specifically she illustrates each frame of war & it's repercussions on the soldiers and civilians.
sunktheglow 7th-Dec-2012 07:48 pm (UTC)
Oh man, the teeth reveal was SO GOOD. So good. I remember all through Smoke and Bone I was trying to figure out if teeth were currency in the other world, but then the reveal came about how the teeth were used and I geeked out because it's SO interesting conceptually. I also loved her descriptions of real-world places. I could SMELL Morocco. I also wondered if she was going to do another book series after the trilogy based on this world, because I'd love to know more from an angel perspective.
splendidlure 7th-Dec-2012 07:56 pm (UTC)
I want to know more about the background of the war. I'm still confused as to why the angels and devils hate each other so much. Is it as simple as hating something that is foreign and different? =/
sunktheglow 7th-Dec-2012 07:59 pm (UTC)
So far, it seems like the case. Simple racial (or special, I guess?) hatred. But if angels hate chimaera, you have to wonder if the chimaera aren't demonic? Maybe there's some mythology with that? But really, there are few limits to the explorations she could do in the universe.
splendidlure 7th-Dec-2012 11:53 pm (UTC)
http://fozmeadows.wordpress.com/2012/11/12/days-of-blood-and-starlight/

I just found the best review of the book.
" And as both find themselves serving under commanders without mercy – Joram and Jael for Akiva, with their dreams of conquest; Thiago for Karou, with his bloody revenge against innocents – both, as Starlight progresses, find the strength for mercy where mercy means treason, building their rebellious hopes in secret"
The writer of the review gives great insight on what both of the commanders are fighting for.
sunktheglow 7th-Dec-2012 11:54 pm (UTC)
Between the sheer awesomeness of what this review is going to be and your Fat Amy icon, you are my favorite. Thank you so much for this!
splendidlure 8th-Dec-2012 12:16 am (UTC)
Smiley face
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