Joss Whedon's FAVORITE buffy episodes


It’s safe to say Joss Whedon fans are having a flippin’ fantastic week. The Avengers just made all the money, with a record-breaking $207.4 million domestic opening, and got the official greenlight for a sequel. Now, Buffy fans are getting insight into Whedon’s most cherished memories from the series with the announcement that Whedon’s 10 favorite episodes are airing as an all-day marathon on Logo May 19, starting at 10 a.m. ET.

See Whedon's picks under the cut


“Prophecy Girl” (112)

Buffy proved herself beyond doubt in the season 1 finale when she closed the Hellmouth and dispatched the dreaded Master.

“Innocence” (214)

Just say no, kids. To sex with your vampire boyfriend. Buffy’s decision to give it up unlocked the evil in Angel and kick-started an amazing half of season 2…

“Becoming Part II” (222)

…that was capped off by this (literally) soul-destroying episode in which Buffy sent Angel to Hell. As he was sucked into the void, Willow’s spell restored his humanity, but it was too late. The Slayer fled Sunnydale to the strains of “Full of Grace,” and so began the onslaught of Sarah McLachlan weepers that continue to haunt us via sad puppy eyes to this day. (Heightened the next hour when “Angel” played during Dawson’s Creek‘s season 1 finale. Epic.)

“The Wish” (309)

The first appearance of Anya! And as a slutty, psychotic Willow! After seeing Xander and Willow kiss the episode before, Cordelia wishes Buffy had never come to Sunnydale. Obviously, this was a terrible, terrible idea.

“Doppelgangland” (316)

Obviously Whedon has a thing for vampy Willow. He wrote this episode specifically for her.

“Hush” (410)

The only one of Buffy’s eps to be nominated for a writing Emmy. And its most powerful moments featured barely a single word of dialogue. What did it have? Heart-snatching, voice-snatching ghouls called The Gentlemen and proof that the Scoobies didn’t need their snappy repartee to get down to business (though we were more than happy to have their one-liners back the next week).

“Restless” (422)

Whedon’s more experimental episodes, the season 4 finale skimped on the slaying in favor of surreality. Each of the main characters traveled through a dreamlike state that hinted at what was in store for season 5, most notably the introduction of Buffy’s suddenly-there sister Dawn.

“The Body” (516)

You’d think Buffy would be desensitized to death. Then it struck home. The shocking, non-violent death of Joyce Summer hit Buffy harder than anything else on the series. Paralyzed, she crumpled into a ball on the floor of their home. Heartbreaking.

“Once More With Feeling” (607)

I’ve got a theory, it was the bunnies that made this one of Whedon’s faves.

“Conversations with Dead People” (707)

Buffy, Dawn, and Willow are all visited by ghosts from their pasts… or are they? This real-time episode was a series first and got to the heart of Buffy’s deeply conflicted psychology in the final season.

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